Bradley Cooper transforms into legendary conductor and composer Leonard Bernstein in Maestro, which got its world premiere in Venice Saturday ahead of a disastrous screening for Roman Polanski’s latest and possibly final film.
Cooper’s metamorphosis into Bernstein was described as “eerily exact” by critics at the Venice Film Festival, while many said Carey Mulligan matched him beat-for-beat as Bernstein’s wife Felicia.
There has been some internet-driven controversy over the size of Cooper’s prosthetic nose – seen by some as perpetuating stereotypes about Jews.
But Variety felt the “tempest-in-a-teapot” was misplaced and that the nose, already defended by Bernstein’s family, “works terrifically well.”
Maestro, which Cooper also directed, is a classical slow-burn drama that focuses less on the West Side Story composer’s music than his complex love life, torn between the deep attachment to his wife and his bisexuality.
Neither star was present for the premiere due to the Hollywood actors strike, foregoing the splashy red carpet launch Cooper gave his previous hit, A Star is Born, in Venice.
Meanwhile, Polanski’s out-of-competition premiere of The Palace turned into a fiasco that had nothing to do with the controversy around the director’s historic child sex conviction.
The broad, old-fashioned farce, set in Swiss hotel on New Year’s Eve 1999 and starring Mickey Rourke and John Cleese, was pummelled with one-star reviews. Variety called it a “laughless debacle”.
Several critics pre-empted claims they were being harsh on the director for political reasons, insisting it was easily the worst film he had ever made. AFP
